WEISS GAMBIT EQ1-MKII Provozní pokyny stáhnout pdf (Strana 5)

OPERATING INSTRUCTIONS FOR GAMBIT EQUALIZER EQ1-LP INTRODUCTION

Daniel Weiss Engineering Ltd., Florastr. 42, CH-8610 Uster Page 5 of 28

 +41 1 940 20 06  +41 1 940 22 14  http://www.weiss.ch  [email protected]

INTRODUCTION

Congratulations on purchasing the Weiss Gambit EQ1-LP linear phase digital equalizer!

The EQ1-LP is a digital equalizer with a linear

phase response. This means that the delay caused

by processing is constant across the whole spec-

trum, unconstrained by eq settings - this is not

the case with standard equalizers, where signal

delay varies with frequency, depending on the eq

setting.

The sound, or character, of an equalizer has been

said to be influenced by phase response (for ex-

ample John Watkinson: "...much of the audible

difference between EQs comes down to the phase

response.", Studio Sound 9.97).

The EQ1-LP is therefore the ideal tool for correc-

tive amplitude adjustment, without the unwanted

phase distortion added by standard equalizers.

The EQ1-LP can be switched from linear- to

minimum-phase response, resulting in the exact

same sound as the EQ1-MK2. So for creative

sound designing, there is the benefit of two dif-

ferent sounding equalizers in one machine.

Features of the EQ1-LP include:

Processing

∗ Switchable linear-phase or minimum-phase

response. Setting can be stored per snap-

shot.

∗ 24bit digital input, internal 40bit floating-

point arithmetic, dithered output for 16bit,

20bit or 24bit wordlengths.

Display

∗ Double logarithmic graph of the magnitude

function of the equalizer calculated in real

time

∗ Status display showing sampling frequency,

channel status data handling, current work-

space and snapshot number and a resetable

peak-hold and over-hold per channel

∗ Band display (activated by touch) showing

boost, Q/ slope and frequency settings for

each band

∗ Two over-LED’s with settable number of

consecutive over-samples which cause an

“over” display combined with an over-hold

function

Snapshots

∗ 3 x 128 non-volatile snapshots where all

parameters are stored

∗ A-B workspaces for quick comparison be-

tween two settings

Remote Control

∗ Supports MIDI, RS-232 and RS-422 proto-

cols

∗ Standard MIDI Continuous Controllers for

parameter remote control (including over-

all gain)

∗ Snapshot automatization with MIDI Pro-

gram Change Commands

∗ MIDI Dump of Snapshots

1 2 3 4 5 6 7 8 9 10 ... 27 28

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